DETAILS
Bronze Tribal Couple (Dokra)
Size (WxDxH) : 8 x 7 x 50 Inches
Finish : Bronze ( Lost Wax)
DESCRIPTION
This traditional lost-wax casting technique originated over 4,000 years ago and remains in great demand with art lovers across the globe. Famed for its simplicity, enchanting motifs and forceful forms, Dhokra artefacts adorn the houses of true art connoisseurs across the world.
This enchanting sculpture captures the joys of rural life through the eyes of a master craftsman. The sculptor perfectly captures the relaxation and satisfaction of a tribal couple coming back home after a hard days work, looking forward to spending an evening at home
This exquisite Bronze ( Lost Wax) sculpture can be customized according to your unique needs to form a part of your living room or your entryway decor. This Handmade Dhokra Sculpture is perfect to decorate the living rooms, guest rooms, homes, and offices. We have used in Bronze ( Lost Wax) to provide the quality and customer satisfaction.
ABOUT LOST WAX BRONZE SCULPTURES
The Lost Wax Process, also called cire-perdue, is a method of metal casting in which hot metal is poured into a wax model, which is lost during the process. The process is used to make highly detailed bronze sculptures.
In the olden days, the castings were often made in copper, but bronze quickly became the preferred material for statuary, as it is stronger and more tensile. This method of sculpting involves creating a solid wax model of the figure, and then wrapping it in a clay mould. The model is then heated to melt the wax and harden the clay. Molten metal is poured into the inverted clay mould, and upon cooling, the clay mould is broken to reveal a solid sculpture.
Sculptures made using this method are one of a kind, since the mould must be broken to take the statue out. A sculptor typically spends several weeks to months working on one piece, thereby making such sculptures harder to come by, and very special. The very fine detailing and the intricacy of the work adds to the beauty of each piece.
